(Note: I'm sorry this post is late. When I tried to access Blogspot to do my homework, it said it was unavailable).
Some of my questions and concerns about growing up are:
(Most of these are about high school, as that is what's on my mind all of the time these days.)
1. What job/career will I have?
2. What is high school like?
3. What college will I go to? Will I go to college?
4. Is high school difficult?
5. Will I have a good/okay time in high school?
6. Is high school like middle school?
7. Will I have more or less free time in high school?
8. What would I study in college?
9. Will I stay in New York after I graduate high school?
10. Where will I live after I graduate high school?
Saturday, May 14, 2011
Tuesday, April 26, 2011
Finished Reading Response to “My Papa’s Waltz”
I believe that this poem is actually about the abuse of a child, but could
have been intentionally written in a way so that the reader could interpret it in an
either/or way. For example, one line of the poem is “At every step you missed My
right ear scraped a buckle”. Some people could think that this line is about being
hit with a buckle, but some could think that it’s about playing around and the little
kid was short enough so that he could accidentally scrape his ear on his dad’s
belt buckle if he missed a step. When I first read this poem in the 7th grade, I
actually didn't think it was about the little kid getting abused; I interpreted it as
him and his father playing around the house after dinner. But after the whole
class shared their interpretations, most of them thought it was about the boy
being hit, and that's when I realized that the poem actually did sound like it was
about something more negative and dark than just lightly playing around.
When I reread this poem again in the 8th grade, the image of a kid being
hit by his drunken father in the kitchen came to mind instead of playing around
and breaking things by accident, the way it did last year because of how my
classmates interpreted it last year. I noticed lines like “You beat time on my head
With a palm caked hard by dirt” and “Such waltzing was not easy”, and how they
could be describing child abuse. And today I'm not sure how I didn't see all this
when I was in seventh grade. This is where I believe rereading literature more
than once in different perspectives and with more than one idea in mind can add
more sides to it and even help you understand the text more and build onto your
ideas on it. Not just in poetry, but in any kind of writing it's best to not just think
one-dimensionally about what you're reading, even if a text may seem like it's
simple and straightforward at first. For example, when we reread Charlotte’s Web
earlier in the year, I realized even what seems like a book just for children like t
that can actually have a lot of meaning behind it.
I do think that both points of view, being abused or playing, can work out in
interpreting the poem since I have thought in both points of view, and that the
author could possibly have written the poem in a way so that you can’t really be
sure if it means something light or something dark, which is a writing tool that I
think is very interesting and can make writing really great. If a piece of writing is
multi-dimensional and colorful instead of cliche and completely forward, then the
writing is certainly enhanced.
In conclusion, I don’t want to pick one specific side on if the child in the
poem was being abused or really just playing, because the two both could work
and I’m not sure which is the “right” or “correct” side, if there is one. Good writing
is supposed to be multi-dimensional, and that’s what this poem is. It may be a
short poem, but there are so many ways you can interpret it.
have been intentionally written in a way so that the reader could interpret it in an
either/or way. For example, one line of the poem is “At every step you missed My
right ear scraped a buckle”. Some people could think that this line is about being
hit with a buckle, but some could think that it’s about playing around and the little
kid was short enough so that he could accidentally scrape his ear on his dad’s
belt buckle if he missed a step. When I first read this poem in the 7th grade, I
actually didn't think it was about the little kid getting abused; I interpreted it as
him and his father playing around the house after dinner. But after the whole
class shared their interpretations, most of them thought it was about the boy
being hit, and that's when I realized that the poem actually did sound like it was
about something more negative and dark than just lightly playing around.
When I reread this poem again in the 8th grade, the image of a kid being
hit by his drunken father in the kitchen came to mind instead of playing around
and breaking things by accident, the way it did last year because of how my
classmates interpreted it last year. I noticed lines like “You beat time on my head
With a palm caked hard by dirt” and “Such waltzing was not easy”, and how they
could be describing child abuse. And today I'm not sure how I didn't see all this
when I was in seventh grade. This is where I believe rereading literature more
than once in different perspectives and with more than one idea in mind can add
more sides to it and even help you understand the text more and build onto your
ideas on it. Not just in poetry, but in any kind of writing it's best to not just think
one-dimensionally about what you're reading, even if a text may seem like it's
simple and straightforward at first. For example, when we reread Charlotte’s Web
earlier in the year, I realized even what seems like a book just for children like t
that can actually have a lot of meaning behind it.
I do think that both points of view, being abused or playing, can work out in
interpreting the poem since I have thought in both points of view, and that the
author could possibly have written the poem in a way so that you can’t really be
sure if it means something light or something dark, which is a writing tool that I
think is very interesting and can make writing really great. If a piece of writing is
multi-dimensional and colorful instead of cliche and completely forward, then the
writing is certainly enhanced.
In conclusion, I don’t want to pick one specific side on if the child in the
poem was being abused or really just playing, because the two both could work
and I’m not sure which is the “right” or “correct” side, if there is one. Good writing
is supposed to be multi-dimensional, and that’s what this poem is. It may be a
short poem, but there are so many ways you can interpret it.
Thursday, March 31, 2011
Revised Response to "My Papa's Waltz"
I believe that this poem is actually about the abuse of a child (because
that’s just my personal point of view), but could have been intentionally written in
a way so that the reader could interpret it in an either/or way when it comes to
the subject matter. When I first read this poem in the 7th grade, I actually didn't
think it was about the little kid getting abused; I interpreted it as him and his
father playing around the house after dinner. But after the whole class shared
their interpretations, most of them thought it was about the boy being hit, and
that's when I realized that the poem actually did sound like it was about
something more negative and dark than just lightly playing around.
When I reread this poem again in the 8th grade, the image of a kid being
hit by his drunken father in the kitchen came to mind instead of playing around
and breaking things by accident, the way it did last year. And today I'm not sure
how I didn't see all this when I was in seventh grade. This is where I believe
rereading literature more than once in different perspectives and with more than
one idea in mind can add more sides to it and even help you understand the text
more and build onto your ideas on it. Not just in poetry, but in any kind of writing
it's best to not just think one-dimensionally about what you're reading, even if a
text may seem like it's simple and straightforward at first.
I do think that both points of view, being abused or playing, can work out in
interpreting the poem since I have thought in both points of view, and that the
author could possibly have written the poem in a way so that you can’t really be
sure if it means something light or something dark, which is a writing tool that I
think is very interesting and can make writing really great. If a piece of writing is
multi-dimensional and colorful instead of cliche and completely forward, then the
writing is certainly enhanced.
that’s just my personal point of view), but could have been intentionally written in
a way so that the reader could interpret it in an either/or way when it comes to
the subject matter. When I first read this poem in the 7th grade, I actually didn't
think it was about the little kid getting abused; I interpreted it as him and his
father playing around the house after dinner. But after the whole class shared
their interpretations, most of them thought it was about the boy being hit, and
that's when I realized that the poem actually did sound like it was about
something more negative and dark than just lightly playing around.
When I reread this poem again in the 8th grade, the image of a kid being
hit by his drunken father in the kitchen came to mind instead of playing around
and breaking things by accident, the way it did last year. And today I'm not sure
how I didn't see all this when I was in seventh grade. This is where I believe
rereading literature more than once in different perspectives and with more than
one idea in mind can add more sides to it and even help you understand the text
more and build onto your ideas on it. Not just in poetry, but in any kind of writing
it's best to not just think one-dimensionally about what you're reading, even if a
text may seem like it's simple and straightforward at first.
I do think that both points of view, being abused or playing, can work out in
interpreting the poem since I have thought in both points of view, and that the
author could possibly have written the poem in a way so that you can’t really be
sure if it means something light or something dark, which is a writing tool that I
think is very interesting and can make writing really great. If a piece of writing is
multi-dimensional and colorful instead of cliche and completely forward, then the
writing is certainly enhanced.
Wednesday, January 26, 2011
"My Papa's Waltz" Response
When I first read this poem in the 7th grade, I actually didn't think it was about the little kid getting abused; I interpreted it as him and his father playing around the house after dinner. But after the whole class shared their interpretations, most of them thought it was about the boy being hit, and that's when I realized that the poem actually did sound like it was about something more negative and dark than just lightly playing around.
Today when I reread it again, the image of a kid being hit by his drunken father in the kitchen came to mind instead of playing around and breaking things by accident, like it did last year. And today I'm not sure how I didn't see all this when I was in seventh grade. This is where I believe rereading literature more than once in different perspectives and with more than one idea in mind can add more sides to it and even help you understand the text more. Not just in poetry, but in any kind of writing it's best to not just think one-dimensionally about what you're reading, even if a text may seem like it's simple and straightforward at first.
I actually think that both points of view, being abused or playing, can work out in interpreting the poem, even though right now my interpretation is still the poem being about abuse.
Today when I reread it again, the image of a kid being hit by his drunken father in the kitchen came to mind instead of playing around and breaking things by accident, like it did last year. And today I'm not sure how I didn't see all this when I was in seventh grade. This is where I believe rereading literature more than once in different perspectives and with more than one idea in mind can add more sides to it and even help you understand the text more. Not just in poetry, but in any kind of writing it's best to not just think one-dimensionally about what you're reading, even if a text may seem like it's simple and straightforward at first.
I actually think that both points of view, being abused or playing, can work out in interpreting the poem, even though right now my interpretation is still the poem being about abuse.
Thursday, January 13, 2011
Response to Poem Read in Class
The thing about the poem The Starry Night is throughout the poem it seems depressing, but at the same time somehow strangely comforting; it talks about death and dying in a place meaningful to someone, but this place is also calming since the place the author is talking about seems nicely peaceful; under the big stars, in a small little town, with a giant tree - this place means a lot to a person, so why wouldn't they want to spend the last moments of their life there, if they want to die?
The poem brings out the beauty and meaning to people in simplicity like stars in the night and small towns in the middle of nowhere. The poem isn't just about dying; it expresses many emotions at once.
"The town does not exist
except where one black-haired tree slips"
I think this is an example of the author relating to nature more than human-made places such as towns. It'd be more peaceful to die in nature than in, say, her house or other unnatural place.
"into that rushing beast of the night,
sucked up by that great dragon, to split
from my life with no flag,
no belly,
no cry."
Another example of nature; in this stanza it is described as "that rushing beast of the night", which doesn't portray nature as peaceful in that line at all. Yet still, the first two stanzas, the one before this, all end with "Oh starry starry night! This is how I want to die", and so the mix of emotions is set throughout the poem.
At first I actually didn't think this poem made sense at all, but as we went through it in class, it began to all make much more sense to me.
The poem brings out the beauty and meaning to people in simplicity like stars in the night and small towns in the middle of nowhere. The poem isn't just about dying; it expresses many emotions at once.
"The town does not exist
except where one black-haired tree slips"
I think this is an example of the author relating to nature more than human-made places such as towns. It'd be more peaceful to die in nature than in, say, her house or other unnatural place.
"into that rushing beast of the night,
sucked up by that great dragon, to split
from my life with no flag,
no belly,
no cry."
Another example of nature; in this stanza it is described as "that rushing beast of the night", which doesn't portray nature as peaceful in that line at all. Yet still, the first two stanzas, the one before this, all end with "Oh starry starry night! This is how I want to die", and so the mix of emotions is set throughout the poem.
At first I actually didn't think this poem made sense at all, but as we went through it in class, it began to all make much more sense to me.
Wednesday, January 12, 2011
Poem on Starry Night Over Rhone
The houses in day mean little,
As the grand stars of night have truer meaning
Burning bright
Like a million little suns in darkness
Tonight as you and I walk among the shore
Gazing at those great spots of fire
Illuminating against ocean and tide,
Life is simple wasting time with you and the stars
Shh,
It's getting late now
But we can still walk on the shore
We can gaze at those stars forever.
As the grand stars of night have truer meaning
Burning bright
Like a million little suns in darkness
Tonight as you and I walk among the shore
Gazing at those great spots of fire
Illuminating against ocean and tide,
Life is simple wasting time with you and the stars
Shh,
It's getting late now
But we can still walk on the shore
We can gaze at those stars forever.
Monday, January 10, 2011
Interpretation of the Starry Night Over Rhone by Van Gogh
This is Van Gogh's painting Starry Night Over Rhone, similar to his painting Starry Night, but still different.
Here, you see a couple holding hands, walking on the beach at night. The sky is three different colors; three shades of blue. The shining lights of the buildings are all aligned with the stars. Above the stars the sky is a dark black, and below it's a light, friendly shade of blue.
The part of the paining with the couple holding hands was probably drawn because Van Gogh must have felt loneliness when he was locked up, and (going back to self-inspiration) the couple also seem to be looking up at the stars. I think this means he had hope that once he got out of the asylum he wouldn't be so lonely anymore.
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